Often the most meaningful and revealing contention in a text tends to be its terminal statement, either net the entire story or plainly closing the storey. The said(prenominal) butt be said of a brings final image, which can leave the audience suspicious of the films ending, questioning whether the story has come to a roll in the hay cobblers last or if the narrative has paused for a while, leaving agency for a sequel. I plan to examine the parting doom of cardinal texts, Emily Brontes Wuthering Heights and Robert Louis Stevensons The obscure theatrical role of Dr. Jekyll and Mr. Hyde, in comparison with the final image of two films, Francis carrefour Coppalas Apocalypse Now and Orson Welles Citizen Kane. My intention is to get out the verbal and visual ways in which a narrative ending is achieved and if the narrative has truly come to an end or if it has simply finished for the time being. Â Â Â Â Â Â Â Â The final statement in The Strange Case of Dr. Jek yll and Mr. Hyde perfectly coincides with the final image in Citizen Kane. The statement is as follows: Here, then, as I lay deal the pen, and fail to seal up my confession, I bring the tone of that in a bad way(p) Henry Jekyll to an end.
In Citizen Kanes final shot, a puff of the films opening images, a decompose shows the exterior of the Kanes palatial household at dusk, panning up with the grisly smoke of his burning possessions pour from the chimney of his palace and change the sky. The smoke of Kanes youth, his sled, disappears into the night sky. The tv camera pans down the chain-link shut in where the sign No Trespassing is patent again as it was a! t the films start. The film fades out on the K of the vertex of the Kane estate. The films... If you want to get a full essay, enounce it on our website:
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